When writer/director Ho Choi released his rollicking rock and roll picture in Korea in 2008, it debuted during trying economic times, not making the impact it perhaps deserved to make. One hopes that increasing exposure at international festivals will bring it to a wider and more enthusiastic audience. The film, originally titled Gogo Chilship, could be described as a Korean version of The Commitments, Alan Parker's widely successful story of a group of Dublin musicians who form a soul band. This comparison would be reductive, to be fair, and Choi deserves credit for crafting a film that deploys a number [...]