After shedding The Mallard's skin last year and stripping her songwriting process to the bone, Greer McGettrick has positioned herself at the helm of her own solo project. She's left the animals references behind and fashioned herself Eline Cout with the spirit of experimental artist Bruce Gilbert in mind and her new cello prowess in hand. Letting go of the verse-chorus binary and allowing her soundscapes to evolve naturally, she crafted somewhere between 50 to 60 vignettes on her 4-track, layering pieces but never reworking songs. She chose 13 cuts with the help of engineer, guitarist and friend Desmond Shea, that would eventually become her [...]